So over in the bass portion of the upper bout, if you squint really hard, you can see the repair. Don't worry. It will be more visible in subsequent photos (though hopefully sufficiently invisible on the final instrument). Well, now that I've established a 4mm ledge around the rim of the plates, guess what? I get to rough-arch again!
This one doesn't take quite as long because there's less wood to remove, but it does require a bit more finesse. The gouge is no longer being used just to hog away wood; careful attention is now being paid to the actual shape of the arch.
Afterward, I get to spot-glue the plates onto the rib structure.
The mold is still inside at this point, so what you end up with is a really heavy, ugly, badly carved VSO (violin-shaped object). This is different from the final product because the neck is not yet fixed onto the instrument. But this allows me to make sure of two things: that the outside edges are a consistent distance from the ribs, inasmuch as this is possible, and that they are consistent with each other. I also take this time to drill holes through the plates and into the blocks which I can use for locating pins when I have to put the plates back on.
For now, I take them off and prepare to install the purfling...
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